Chou Hsiu-shan
我的主題:世界異境的紀實與虛構
想從《Nanook of the North》去探討

notice: personal research proposal

please pay attention to the following format. thanks!

3.個人報告
以個人興趣為主，融入課堂觀影經驗。(參考下列研究議題)
報告以Word檔案、網站...等方式繳交，注意必須要有視覺輔助部分。
繳交時間為12月底. csalbert@mails.fju.edu.tw
沒有字數的要求, 但是有品質的考慮.
(參考架構)
a.研究動機
b.研究問題
c. 視覺影像
d. 主要概念

dogme 95 manifesto

"I swear to submit to the following set of rules drawn up and confirmed by DOGME 95:

1.
Shooting must be done on location. Props and sets must not be brought in (if a particular prop is necessary for the story, a location must be chosen where this prop is to be found).

2.
The sound must never be produced apart from the images or vice versa. (Music must not be used unless it occurs where the scene is being shot).

3.
The camera must be hand-held. Any movement or immobility attainable in the hand is permitted. (The film must not take place where the camera is standing; shooting must take place where the film takes place).

4.
The film must be in colour. Special lighting is not acceptable. (If there is too little light for exposure the scene must be cut or a single lamp be attached to the camera).

5.
Optical work and filters are forbidden.

6.
The film must not contain superficial action. (Murders, weapons, etc. must not occur.)

7.
Temporal and geographical alienation are forbidden. (That is to say that the film takes place here and now.)

8.
Genre movies are not acceptable.

9.
The film format must be Academy 35 mm.

10.
The director must not be credited.

Furthermore I swear as a director to refrain from personal taste! I am no longer an artist. I swear to refrain from creating a "work", as I regard the instant as more important than the whole. My supreme goal is to force the truth out of my characters and settings. I swear to do so by all the means available and at the cost of any good taste and any aesthetic considerations.Thus I make my VOW OF CHASTITY."
Copenhagen, Monday 13 March 1995

masculinity under construction

propaganda, or visual persuasion

visuality/ representation/ war/ trauma